What happened to the daughter and Alexei Batalov. Alexey Batalov left the inheritance only to his youngest daughter, because he felt guilty all his life. The eldest daughter and granddaughter were left with nothing. And Nadezhda is not offended that she was not indicated in the will

03.11.2019

Credit: AO Komsomolskaya Pravda Publishing House Alexey Batalov

AT last years life, Alexey Vladimirovich was most worried about the fate of his youngest daughter Maria, who has been an invalid since childhood. Another burden on the heart of the actor was pain because of the eldest daughter from Nadezhda's first marriage. Even many years later, Batalov reproached himself that in his youth he was not a good enough father.

In the registry office - secretly

For the first time, Alexei Batalov married early - at the age of 16. With Irina Rotova, the daughter of the artist and cartoonist Konstantin Rotov, he was familiar from childhood, the cottages of her parents and Batalov's stepfather, the writer Viktor Ardov, who raised the boy from the age of five, were nearby. As a child, Irina and Alexei played in the same company, and then met again, having already returned from the evacuation. As the actor recalled, in his youth he “was very timid” with girls, it was difficult for him to even get to know the girl he liked. Subsequently, recalling his first marriage, Batalov said that it was a "youthful passion" that "stemmed from his shyness." Alexei and Irina did not notify their relatives that they were going to get married. Simply, having waited until they were 16 years old, they went to the registry office. The actor's relatives, who considered his meetings and walks with Irina a simple friendship, of course, were shocked. But there was nothing to be done. A young family lived either with some parents or with others, they could only dream of such a luxury as a separate room. Alexei did not have a relationship with his mother-in-law, writer and playwright Ekaterina Borisova. But with Irina's father, on the contrary, he became very friendly. Konstantin Pavlovich, who then worked in the Crocodile magazine, often asked the young man to pose for the next sketch, and then he began to teach Batalov himself to draw.

Work and family

In 1953, the young actor was approved for the role in the film by Joseph Kheifits "Big Family", filmed in Leningrad. For her sake, he had to sacrifice a place in the Moscow Art Theater, from where they did not want to let him go to shoot, and part with his wife for a long time: Batalov had nowhere to live in a foreign city, at first he rented a bed in an apartment not far from Lenfilm, then lodged with Kheifits on a folding bed.

Then the filming of the films "The Rumyantsev Case" and "Mother" began, and this was only the beginning of an endless working marathon that stretched for years. Daughter Nadezhda, born in 1955, the actor rarely saw, appeared at home when there were breaks in filming. Many years later, Alexei Vladimirovich will say sadly: it so happened that because of the constant filming for Nadia, he became a “Sunday dad”. The couple began to quarrel, Irina was not satisfied with the constant absence of her husband at home, she lacked attention, she wanted his contribution to family life. Gossip also played a role: someone who did not like Alexei Batalov and so disliked the mother-in-law told that the actor allegedly had an affair on the next shooting. As a result, Irina decided to leave her husband. Batalov was informed about this by his mother - and the actor even cried. But it was no longer possible to glue broken relationships.

They officially divorced in 1961. Years later, Alexey Batalov admits that he is very guilty before his first family, especially before his daughter. Soon after the divorce, Irina remarried. Batalov, arriving in Moscow, periodically saw his daughter, but as she grew up, the relationship between them became cooler. “Life has turned out this way,” the actor once sadly admitted in one of his interviews. And with his characteristic heightened demands on himself, he added that, alas, he was bad father for the eldest daughter, due to constant filming and traveling, he could not give her as much attention as required. In the last years of Batalov's life, they became close again, Nadezhda, who became a translator, visited Alexei Vladimirovich in the hospital in the last months of his life. But at the same time, as some relatives noted, it was still impossible to call their relationship very close, the famous actor did not see his granddaughter and great-granddaughter.

Pain for life

The actor, incredibly passionate about his work, was lucky: he met a kindred spirit. Batalov met the hereditary circus artist Gitana Leontenko Batalov in the early 1950s in Leningrad: after filming, a friend dragged the actor to the circus, in the arena of which Batalov saw Gitana performing with her crown number - on a horse.

Both Leontenko and Batalov had a common passion - work. As Gitana Arkadyevna admitted, she did not aspire to get married in those years, for her the main thing in life was the circus, but at the same time she really liked Alexei. “He was amazing,” she recalled. The couple married in 1963. The spouses did not think about any improvement in their life: the actor still disappeared on the set, his wife went to the circus arena every day.

In 1968, their long-awaited daughter Masha was born. The happy event, which the spouses had been waiting for, turned into a tragedy: the girl became disabled. Gitana Arkadyevna said more than once that if she had been given a cesarean, as she asked, everything would most likely have been different, Masha’s health would have been all right, but on the night she gave birth, a surgical sister for some reason They let her go home. The fact that the girl had serious health problems did not become clear right away. When the parents, worried that their daughter was not moving well, went to the doctors, the doctors conducted an examination and delivered a verdict: cerebral palsy. Alexei Batalov's wife left her job. “Of course, we hoped that the daughter would recover. They didn’t want to give up, ”the actor recalled. When Masha reached school age, Gitana made sure that teachers came to their home, together with her mother, she did a lot with the girl herself. Batalov's daughter successfully graduated from school, then, remotely, from the screenwriting department of VGIK, became a member of the Writers' Union, published a book, and wrote several scripts.

Two daughters of a famous father

The actor has always been proud that his daughter grew up to be a very educated person. And he proudly admitted that Masha read ten times more books than he did. But at the same time, Alexei Batalov was terribly worried about her fate, and the older he got, the more he worried, thinking about what would happen to Maria when he was gone. And until the end of his life, the actor suffered due to the fact that on that day, which became a turning point for their family, he was not nearby, in Moscow, but on the set. “Alyosha suffered a lot all his life. He reproached himself that when I gave birth, he worked and was far away, he could not help in any way, ”said Gitana Arkadyevna.

© Courtesy: AO Komsomolskaya Pravda Publishing House Alexei Batalov's daughters Nadezhda (second from left), Maria (second from right), and Valentina Tereshkova's daughter Elena Nikolaeva-Tereshkova (far right) during a funeral service for the actor, 2017. Photo: Miail Frolov/ Archive "KP"

According to the will of the actor, his youngest daughter Maria became his main heiress. When, some time after the death of Alexei Batalov, articles began to appear in the press that the famous artist allegedly "deprived" his eldest daughter, the actor's widow explained that all these rumors were groundless, and Nadezhda herself was not offended by her father's act and perfectly understands why he did so. Gitana Arkadyevna and Nadezhda Alekseevna have been friends for many years. “In Nadia, I am absolutely sure that she will not leave Masha,” the widow of Alexei Batalov assured.

Thank you for raising the topic. Each of us goes through certain lessons in this life. The most important thing is to understand and perceive them correctly. This is the work of our entire body and our life. You have to pay for everything and learn to love another person. Bring joy every day not only to your beloved , but also next to a neighbor, colleague, etc.

Maria Batalova is disabled from birth. It would seem that with a diagnosis of cerebral palsy, she was destined to drag out a miserable existence, but the daughter of a famous actor managed to get an education and become a screenwriter. She does not live in luxury, on the contrary, she needs a lot. Earning money, donates to charity. Because he believes that there are people in the world who are even more hurt.

Masha was born as a result of great love that went through many trials. Her parents, aspiring actor Alexei Batalov and hereditary circus artist, gypsy Gitana Leontenko, met in 1953. Their romance lasted ten years. Alexei was not free. He married at the age of 16 for love, a daughter, Nadenka, was born in the marriage. But by the time of the meeting with Gitana, the marriage began to fall apart. For several years, Batalov tossed between his family and new love. And the relatives of the young circus performer did not particularly favor him, because the gypsies are reluctant to marry off their daughters to foreigners. And yet in 1963 they got married, and five years later the long-awaited daughter Masha was born. During childbirth, the baby was injured. What a blow it was for the parents to find out the terrible diagnosis of the child! It seemed like a verdict.

“But we didn’t even think about giving up the baby!” - Alexei Vladimirovich recalls. “I think that any normal people would do the same as we do.

Parents consoled themselves with the hope that the child would recover! And they raised Masha, suggesting to her that she is a full-fledged person and will definitely overcome the disease. They tried to make her keep up with her peers, to study. They didn’t want to accept Mashenka into a normal high school. Parents had to work hard to convince the commission: the girl is capable!

- Her grandmother and mother were constantly engaged in it, - said Alexei Batalov. “It was only thanks to them that she graduated from high school normally. We hoped for the recovery of our daughter. When I taught in Canada, America, I tried to find some medicines that are not available in Russia, I was looking for doctors who could help. But, unfortunately, the miracle did not happen. The daughter is wheelchair bound. But I bought her a special keyboard with which she can type with one finger. My daughter is very stubborn, constantly engaged. She performs special exercises several times a day in order to move at least a little. It becomes already wet - she has to make so much effort. This, of course, is hellish torment ...

Thanks to the efforts of her relatives, Masha graduated from high school. And then the father, who held the post of head of the acting department at VGIK, thought about how to give his daughter higher education. Of course, I had to convince the leadership of the university so that a person who cannot speak and move would be admitted to the scriptwriting department. But the creative task entrance exams Masha did it herself. The teachers were convinced: the girl has a talent for writing. At the request of the father, the teachers came home to the Batalovs and read the course. Maria successfully passed the exams and received a screenwriting diploma.

Masha wrote her first screenplay thanks to her mother. Gitana Arkadyevna told her daughter a lot about the circus past. This is how the film "The House on the English Embankment" was born, directed by Mikhail Bogin. In 2008, at the Moscow Film Premiere festival, Maria received a prize for the best script from the hands of Eldar Ryazanov.

“It was the happiest moment of our lives! - Alexei Vladimirovich recalls. “Tears welled up in my eyes. Who would have thought that our daughter would achieve such success, become a recognized screenwriter. Moreover, this is not her only achievement, she writes music reviews in newspapers, she is known in the world of music criticism.

Masha usually spends her day at work. She sits at the computer for hours. The Internet for her is the world through the window. And recently she received an order for another script.

- So far, we do not want to say who the director is and what the film is about, so as not to jinx it, - said Maria's mother Gitana Arkadyevna. - The daughter is very sensitive to her work, she is nervous, we are already trying not to touch her ... Masha's character went to her father, she got used to work responsibly. She writes for a long time, but she does everything conscientiously!

Gitana Arkadyevna, out of modesty, does not mention one striking circumstance. Masha has already donated all her income from the release of books and scripts to the House of Cinema Veterans in Matveevsky. This is the place where actors live out their days, who, in their old age, turned out to be forgotten, unnecessary to relatives.

“We are amazed by the deed of this courageous girl. She herself needs help, and her father is barely making ends meet,” says actress Rimma Markova, who is also involved in helping this institution. - But Mashenka explained that she did not consider herself deprived. She said: "People should not complain about physical suffering, but enjoy every day and live life to the fullest, no matter what."

World-famous physicist Stephen Hawking developed the first symptoms of paralysis when he was a student. But the rapidly developing illness, which eventually put the talented scientist in a wheelchair, did not prevent him from becoming a teacher at Cambridge. Using the so-called speech synthesizer, the scientist transfers his knowledge to students through computer lectures. Doctors say that there are very few people in the world who live to a ripe old age with such a diagnosis, and Hawking succeeded. In addition, he has three children and one grandson, and they are all healthy.

Alexei Batalov is one of the most striking and memorable cinema actors of the Soviet era. He was, it must be said, a very unusual person. Many of his films are still loved by many viewers. It is worth noting that acting was not Batalov's only talent.

In addition to the activities of the actor, he also had the talent of a screenwriter, director and teacher. Despite the fact that Alexei Batalov has already left this world, his fans still remember and love this actor.

Height, weight, age. Years of life of Alexei Batalov (actor)

As contemporaries of the Soviet period may remember, in his younger years Batalov was tall, thin and indeed a very attractive man. When he reached popularity in his acting career, there was, perhaps, not a single person among his fans who would not know everything about Alexei. And parameters such as his height, weight, age. The years of life of Alexei Batalov (actor) ended in the summer of 2017. The artist was 88 years old.

It is worth mentioning that Batalov weighed almost 100 kg (98, to be exact), however, with a height of 182 centimeters excess weight was unobtrusive.

Biography of Alexei Batalov (actor)

The artist was born back in November 1928, in the capital of Russia. Both of his parents worked as theater employees, so Alexei spent his entire childhood surrounded by the theatrical backstage.

Unfortunately, Alyosha's father and mother divorced a few years after the birth of the boy. But when little Alexei was only five, his mother got married again. The stepfather of the future actor was the satirist writer Viktor Ardov. The family lived happily, Ardov adopted the boy. However, the ex-wife of the writer lived in a neighboring apartment, and at times this created certain difficulties for a serene life.

The biography of Alexei Batalov (actor) began to change after one day they bought an apartment in a house where only literary figures lived. So, for example, the Mandelstams became their neighbors. Very often different people came to visit them. famous people. Alexey began to grow up in an atmosphere of intelligence and politeness, so it is not surprising that he himself eventually became like that. These people seriously admired Alexei.

A serene life ended with the onset of World War II. Alexei and his mother were forced to flee to the Tatar town of Bugulma. There they lived until the end of the war. All this time, Alyosha's mother devoted, as before, to her favorite thing - the theater. Batalov at that time was already fifteen. And he tried to provide his mother with any help in the theater. At first, he worked as a handyman, and a little later he began to play small roles in productions. Of course, Batalov had no doubt that, like his parents, he would devote his life to the theater. But he had doubts about his own acting talent.

With the end of the war, Alexei returned to Moscow with his mother. In the fiftieth Batalov finished his studies and went to work in the theater Soviet army to whom he gave three years of his life.

He came to the cinema as a schoolboy. His debut film was the film "Zoya". The next role he received ten years later, in the film "Big Family". And then everything went already on knurled. More and more people started to invite him.

In 1956, he played in the film "Mother", based on the story of the same name by M. Gorky. The first serious popularity of the actor was brought by the film "The Cranes Are Flying". His subsequent work was the film adaptation of the next literary creation "The Lady with the Dog". He starred there in 1960, and Alexei had to seriously work on himself in order to organically merge into the image, which he had to perform for the first time. However, everything turned out on the highest level.

Alexey Batalov in the movie 'Mother'

A couple of years later, he played the role of a physicist exposed to radiation in the film Nine Days of One Year. This role, like many before it, was given to him perfectly. Moreover, specifically for this role, he was even able to receive a film award. Later, the artist even became interested in directing and radio theater.

In 1975, Aleksey decided to try his hand at teaching, and he also, no doubt, succeeded in this business.

The second wave of fame came to Batalov after the film "Moscow Does Not Believe in Tears", in 1980. His "Goga" became the favorite of the whole country.

Alexei Batalov as Gosha in the film 'Moscow Doesn't Believe in Tears'

AT adulthood the artist seemed to have received an award for a difficult childhood - he perfectly succeeded in everything, no matter what he undertook. And this applied not only to acting, but also to directing. However, in recent years, Batalov's health began to fail. There were reports that he was admitted to the hospital with a fractured femoral neck. But a full examination showed that the man does not have any serious diseases. True, according to the actor's wife, his memory began to deteriorate.

Personal life of Alexei Batalov (actor)

The personal life of Alexei Batalov (actor) has never been hidden from the public. All his fans were aware that Batalov was married twice, and that he had two daughters from both marriages. It should be noted that, in contrast to a career, love relationship Alexei did not develop so easily and smoothly. The first time the problems turned out to be related to his work, and the second time - already with born child. The actor had to endure many difficulties, but he survived all of them with his inherent dignity and his head held high.

Family of Alexei Batalov (actor)

The family of Alexei Batalov (actor) for the rest of his life consisted of two, as he himself said, beloved girls - his second wife and youngest daughter. And the man was absolutely sure that they also love him, as he himself adores them. This family together had to endure many different troubles, but thanks to mutual support and titanic patience, they did not break and remained together until the very end. It remains only to wish his wife and daughter not to lose this patience and not stop supporting each other.

Children of Alexei Batalov (actor)

Alexei Batalov had two marriages, each of which had one child. The children of Alexei Batalov (actor) are his two daughters. The fate of the eldest remains unknown, since Batalov did not keep in touch with her after breaking off relations with his first wife. As for the second daughter, she was born with a disability due to a medical error. However, this did not help her grow. happy man and get a job.

Daughter of Alexei Batalov - Nadezhda

The first daughter of Alexei Batalov, Nadezhda, was born in the actor's first marriage. The girl was named Nadia. Alexei loved both his wife and daughter very much, but Batalov's wife could not stand the test of her husband's career, and a few years after the birth of the girl, Nadezhda's parents divorced. But after this divorce, Alexey did not maintain relations with either his ex-wife or his eldest daughter.

Daughter of Alexei Batalov - Maria

As mentioned earlier, the daughter of Alexei Batalov, Maria, as a result medical error received a birth injury. Her diagnosis was cerebral palsy. But the parents of the child were able to make sure that this did not become a sentence for their daughter. They surrounded her with love. Currently, Maria Batalova received the specialty of a writer and works as a screenwriter.

Ex-wife of Alexei Batalov - Irina Rotova

Ex-wife Alexei Batalov - Irina Rotova met the artist while still very young. They were only sixteen then. For Batalov, she also became love at first sight. They got married a couple of years later, barely reaching adulthood. Shortly after the significant date, their daughter Nadyusha was born. But, unfortunately, the marriage fell apart when Nadenka was only three years old. The problem was that the actor spent most of his time at work, almost not seeing his family at the same time. For a long time, Irina could not withstand such tests, and therefore Rotova filed for divorce.

Wife of Alexei Batalov - Gitan Leontenko

Second and last wife Aleksey Batalov - Gitana Leontenko worked in a circus. She has been a trickster since the age of four. And Alex fell in love with her almost instantly. For many years, these were simple meetings without obligations. But, in the end, Batalov made an offer to his beloved.

Alexei's last marriage turned out to be much stronger and happier. Although the joy of family life was overshadowed by the birth trauma of their child. But even despite the disability, they were able to cope with all the problems and raise a wonderful daughter.

Photo by Alexei Batalov before and after plastic surgery

Now on the Internet it is easy, if you wish, to find a photo of Alexei Batalov before and after plastic surgery. However, they are all fake. Do plastic surgery Batalov was not allowed not by the lack of the required amount of money, but by his upbringing. He believed that external beauty should be real. Despite all the scars, wrinkles and other imperfections. By the way, not only women, but also many men do plastic surgery for themselves now. Especially public ones. Previously, plastic surgery was a necessity to correct serious physical defects. Now it is the same cosmetic procedure as the others.

Batalov himself believed that human beauty lies not in appearance, but in character and actions. You have to try to do the world better. Appreciate what we have and not try to take from life what we do not need.

Instagram and Wikipedia Alexey Batalov

On the network you can find a lot of information about this famous actor, but he does not have his own block.

Instagram and Wikipedia of Alexei Batalov is one of the most frequent requests among his fans. Batalov's Instagram does not exist, but there is a page in the Internet encyclopedia. In it, as well as about other artists, you can find out some information regarding the biography and personal life of the actor, as well as view lists of his awards and works as an actor and director.

Batalov was madly in love with the theater, therefore, on the slope of his life, he became a teacher in one of the acting universities. Among other things, he published several books.

Alexei lived according to his own "rules of happiness", which, he believed, helped him survive all the difficulties that he encountered along the way. But he experienced a lot of them. Take at least the last known case when his daughter was born disabled.

Among such rules, one can mention such as: do not be ashamed of any work, love what you do, remain faithful to your family and not betray people dear to your heart.

Alexei Batalov was indeed a significant personality in the cinema of the Soviet era. He devoted his whole life to him and the theater.

Alexey Batalov: “He is Goga, he is Gosh” - watch online

In the last years of his life, Batalov stopped acting in films and theater productions, devoting himself entirely to teaching. He treated his work, as always, with all responsibility, and the students loved him very much.

It was not uncommon to see on the net information that the actor was in a difficult financial situation. whether it is true or not, it is not known for certain, but all his fans know that Alexei completely devoted himself to his profession, and no longer because of money, but simply because of his love for this activity.

And it should be noted that such an attitude to work is rarely seen these days. He gave his all to his films. And even all his students - a new generation of future artists - he taught, first of all, to love their job and not try to keep up with fame, not to engage in acting just for the sake of money, since this can ruin talent. Of course, he understood that not everyone listened to him, but Alexei hoped very much that everyone understood this.

Alexei Batalov: “He is Goga, he is Gosha” - you can watch online in one of his most famous films “Moscow Does Not Believe in Tears”.

Died Alexei Batalov: the cause of death and the funeral of the actor

Alexei Batalov died: the cause of death and the funeral of the actor were not slow to be covered in television reports. News of the death of a famous talent amazed the audience. According to the family, the artist died in his sleep.

The first to tell about what happened was one of the friends of the family. By decision of Batalov's wife, the singer was buried at the Preobrazhensky cemetery, in the same place where his parents found peace. In fact, the real cause of Batalov's death remained unknown, but one of his brothers said that the artist's health worsened after a severe leg fracture.

Alexey Vladimirovich Batalov. Born November 20, 1928 in Vladimir - died June 15, 2017 in Moscow. Soviet Russian theater and film actor, film director, screenwriter, teacher and public figure. National artist USSR (1976). Hero of Socialist Labor (1989). Laureate of the State Prize of the USSR (1981), the State Prize of the RSFSR named after the Vasiliev brothers (1966), the State Prize of Russia (2005).

"The parents of my mother, actress Nina Olshevskaya, are wonderful doctors, honorary citizens of the city of Vladimir. Unfortunately, in 1937 they were arrested. My grandfather ended up in the Vladimir Central and died there, and my grandmother served ten years. Then, of course, I did not understand What is happening in the country. I was an ordinary happy child. Stanislavsky invited my uncle, Nikolai Batalov, to the Moscow Art Theater back in 1916. It was thanks to my uncle that other relatives got there, including my father, Vladimir Batalov.

Stanislavsky first drew attention to him thanks to the charm of his older brother, Nikolai. But then it was Vladimir Batalov who became Stanislavsky's assistant, he was by his side all the time. My father met my mother at the theater. When I was supposed to be born in 1928, she went to her parents, home. Therefore, the place of my birth is the city of Vladimir," he said.

Father - Vladimir Petrovich Batalov (1902-1964), actor, director.

Mother - Nina Antonovna Olshevskaya (1908-1991), actress.

Stepfather - (1900-1976), satirist, playwright, screenwriter.

"Viktor Ardov has become a close and dear person for me. I have brothers - Mikhail, Boris," said Batalov.

Uncle - Nikolai Petrovich Batalov (1899-1937), theater and film actor. Honored Artist of the RSFSR (1933).

Aunt - Olga Nikolaevna Androvskaya (1898-1975), theater and film actress, teacher. People's Artist of the USSR (1948).

Brother - (born 1937), archpriest, writer, publicist and memoirist.

Brother - (1940-2004), theater and film actor, director.

Niece - (born 1969), theater, film and television actress.

Cousin Svetlana Nikolaevna Batalova is an actress.

From the age of five, he grew up in the family of the writer V. E. Ardov.

He first appeared on stage during the war in evacuation in Bugulma, where his mother organized her own theater.

In 1944 he made his film debut, starring in an episodic role in the film by L. O. Arnshtam "Zoya".

“It happened by accident! When we returned to Moscow in 1944, our entire class was filmed in the film Zoya about Zoya Kosmodemyanskaya. I even got a small text that had to be said in front of the camera,” he recalled.

In 1950, in Moscow, he graduated from the Moscow Art Theater School named after V. I. Nemirovich-Danchenko at the Moscow Art Theater of the USSR. M. Gorky (workshop of S. K. Blinnikov and V. Ya. Stanitsyn).

The decision to enter the Moscow Art Theater School was natural, because almost all of his relatives were actors. “We had wonderful teachers. For example, Princess Volkonskaya taught such a subject as good manners,” the actor said.

Since 1950 - actor of the Central Theater of the Soviet Army, where he served in the Soviet Army.

In 1953-1956 he played on the stage of the Moscow Art Theater (both in Moscow), in 1957-1975 he was an actor and director of the Lenfilm film studio (Leningrad, now St. Petersburg).

In 1954, he starred in the film by Joseph Kheifits "Big family". The director then created a new image of the worker on the screen, and the young Batalov helped him in this. Later, he played more than once in the films of Heifitz: in 1955, the film "The Case of Rumyantsev", in 1960 - "Lady with a Dog", in 1964 - "Day of Happiness". In all these films, Batalov's heroes are intelligent, strong-willed people. The directors liked this image, and the actor begins to receive new offers.

Alexei Batalov in the film "The Rumyantsev Case"

In 1956, Mark Donskoy invited him to play the role of Pavel Vlasov in the film adaptation of Gorky's story "Mother". The following year, Alexei Batalov plays a role that has become a new milestone in his biography - in the film "Cranes are Flying" Mikhail Kalatozov. The film, which has become legendary, brought fame and love to the audience to Batalov. He created a unique image of a soldier who did not return from the war. Calmness, irony, courage and intelligence - this is what the soldier became thanks to Batalov's game.

Alexei Batalov in the film "The Cranes Are Flying"

New facets of the actor were opened by the film adaptation of "The Lady with the Dog" in 1960. The artist had to step over the already established positive image on the screen. The role of Gurov required a lot of work from him, but the result was worth it. The film received many awards, including international ones.

In 1962, Alexei Vladimirovich plays in the film "Nine days of one year" the role of Dmitry Gusev, a physicist who received a large dose of radiation. Batalov was required not to slide into tragedy. The actor had to show a man of thought, a scientist, a representative of the elite of the twentieth century, and Batalov did an excellent job with this task. The artist in 1966 received the State Prize of the RSFSR for this role.

Since the beginning of the 60s, Batalov has become more and more interested in radio theater and directing. And only in the 70s again begins to appear on the screens.

Alexei Batalov in the film "Star of Captivating Happiness"

A new wave of popular love poured over the artist in 1980 after the release of the film "Moscow does not believe in tears". Locksmith Gosha returned to the screens the character of an intellectual worker created by the artist and became a legend of Soviet cinema. Until now, the proud and independent "Gosh, you can Gogh", masterfully embodied by Batalov in the Oscar-winning film directed by Vladimir Menshov, is a sex symbol of Russian cinema.

Alexei Batalov in the film "Moscow does not believe in tears"

Since 1975 he has been teaching acting at VGIK (Moscow) (since 1979 - professor, since 1989 - head of the department acting skills). He released 7 acting workshops as the head of the course.

For many years he was the secretary of the board of the Union of Cinematographers of the USSR, the chairman of the commission of the All-Union Central Council of Trade Unions for awards in the field of literature, art and journalism. He worked in the Soviet Committee for the Defense of Peace, the Peace Fund, the Rodina Association.

From 2007 to 2013 - President Russian Academy cinematographic arts "Nika". Academician of the National Academy of Motion Picture Arts and Sciences of Russia.

He takes an active part in the work of the International Fund "World of Art".

Elected Honorary President of the Paris Film Club "Firebird", Chairman of the Organizing Committee of the annual award of Russian business circles "Kumir" for the best acting of the year, Honorary Member of the Board of the Regional Charitable Organization "Moscow Association for Assistance and Assistance to Disabled Persons with Infantile Cerebral Palsy", Member of the Board of Trustees of Marfo -Mariinsky charitable society (with his participation the Marfo-Mariinsky Convent was restored).

He is the president of the Russian film festival "Moscow Premiere".

March 11, 2014 signed the appeal of cultural figures Russian Federation in support of the policy of the President of the Russian Federation V. V. Putin in Ukraine and Crimea.

Death of Alexei Batalov

Last months before his death, Alexei Batalov was seriously ill. The wife of the artist Gitan Leontenko said that he was in the hospital for two months after a double leg fracture. Later, Batalov was transferred to a rehabilitation center.

It is known that in January 2017 the actor broke his femoral neck, in February he underwent surgery. The artist was diagnosed with complications after joint prosthetics. Doctors assessed his condition as "moderately severe". He has been in rehab since May. On the eve of his death, a priest came to Batalov's ward and gave him communion.

As Vladimir Ivanov said, Alexei Batalov died quietly in his sleep - he went to bed in the evening, but did not wake up in the morning. At the request of the artist's family, he did not disclose details.

"Aleksey Vladimirovich died today between one in the morning and six in the morning in one of the boarding houses where he was in recent times", - said Ivanov, noting that relatives asked not to indicate the name of the institution. "Yesterday Alexei Vladimirovich took communion. He passed away peacefully, in his sleep," Ivanov said.

June 19 at the Cinema House in Moscow took place. The funeral of the artist was held in the temple of the icon Mother of God"Joy of All Who Sorrow" on Bolshaya Ordynka. The service was officiated by the head of the Synodal Department for External Church Relations (DECR), Metropolitan Volokolamsky Hilarion. . The grave of the actor is located next to the burial of his mother.

Alexey Batalov - I do not bargain with fate.

The growth of Alexei Batalov: 182 centimeters.

Personal life of Alexei Batalov:

Was married twice.

The first wife is Irina Konstantinovna Rotova, daughter of the artist Konstantin Pavlovich Rotov. He married while still in school, at the age of 16.

"Together with my stepfather, writer Viktor Ardov, Rotov worked in the Crocodile magazine. So we can say that we knew Irina literally from kindergarten! In my youth, I was not so much friends with girls - I was not very confident in myself. He studied disgustingly due to the fact that during the years of evacuation he lost all knowledge. So that I could get a certificate, I was placed in a school for working youth. In short, Irina was a native person for me, so the relationship with her developed by itself. We signed even before I entered the Moscow Art Theater School," the actor said.

Irina Rotova - the first wife of Alexei Batalov

“I confess that I was a bad father, I rarely appeared at home. I left for shooting for a long time. Perhaps this destroyed our family. Once, when I was filming in Kyiv, someone in Moscow told Irina’s mother about my dissolute life ... There was no justification meaning, Irina and I let go of each other and parted on good terms. She had an excellent relationship with my mother, she often brought her granddaughter to her. Now Irina is no longer alive, and her daughter Nadezhda has become a translator, "said Batalov.

From this marriage he has a daughter, Nadezhda, and a granddaughter, Ekaterina. He does not maintain a relationship with them.

In 1963 he married a second time. Second wife - (born 1935), circus performer.

They met back in 1953. Batalov said: “It was in 1953. I then starred in the film “The Rumyantsev Case.” And one evening after filming, actor Sergei Lukyanov, who played a police colonel in the film, said to me: “Let's go to the circus, there are gypsies performing!” We went. And for the first time I saw Gitana, she performed a complex circus act on a horse and danced."

In this marriage, he has a daughter, Maria, from birth he suffers from cerebral palsy. She graduated from the screenwriting department of VGIK, is engaged in literary work.

Filmography of Alexei Batalov:

1944 - Zoya - Alexey, schoolboy
1952 - I serve Soviet Union- Pavel Sosnov
1954 - Big family - Alexei Ilyich Zhurbin
1955 - The Rumyantsev Case - Sasha Rumyantsev
1955 - Mikhailo Lomonosov - red-haired man
1955 - Mother - Pavel Vlasov
1957 - - Boris Fedorovich Borozdin
1958 - My dear man - Vladimir Afanasyevich Ustimenko
1960 - Lady with a dog - Dmitry Dmitrievich Gurov
1961 - Nine days of one year - Dmitry Gusev
1963 - Day of Happiness - Alexander Nikolayevich Berezkin
1964 - Light distant star- Pyotr Stepanovich Lukashev
1966 - Three fat men - Tibul
1966 - In the city of S. - Shergov
1967 - Seventh satellite - commissioner
1968 - Living corpse - Fedor Vasilievich Protasov
1969 - Attention, turtle! - Tanya Samokhina's grandfather
1970 - Running - Sergey Pavlovich Golubkov
1971 - Red diplomat. Pages of the life of Leonid Krasin - episode
1973 - There is no return - Alexey Vladimirovich Egorov
1974 - Purely English Murder - Dr. Bottwink
1975 - Star of captivating happiness - Prince Sergei Petrovich Trubetskoy
1975 - Rikki-tikki-tavi - Robert Lawson
1976 - Burn to shine - Savin
1978 - Late meeting - Sergey Ivanovich Gushchin
1979 - Moscow does not believe in tears - Georgy Ivanovich (Gosha)
1983 - Speed - Igor Vladimirovich Lagutin
1984 - Rest time from Saturday to Monday - Pavel
1986 - Umbrella for the newlyweds - Dmitry Pavlovich Kraskov
1986 - Dossier of a man in a Mercedes - Sergey Vladimirovich Grigoriev
1990 - Stalin's funeral - Zhenya's father
1991 - Poltergeist-90 - Professor Vilnitsky
1998 - Chekhov and Co. (9th series "Mrs. NN's Story") - Pyotr Sergeevich
2006 - Carnival Night 2, or 50 years later - cameo

Directed by Alexei Batalov:

1959 - Overcoat
1966 - Three fat men (together with I. N. Shapiro and I. Olshevsky)
1972 - Gambler

1966 - Three fat men (together with M. Olshevsky and Yu. K. Olesha)
1977 - Hare and fly (animated)
1985 - Someone else's coat (animated)
1989 - Trip to Wiesbaden
2009 - On the other side of the screen (documentary)

Radio shows by Alexei Batalov:

"Cossacks" by L. N. Tolstoy
"Duel" according to A. I. Kuprin
"White Nights" by F. M. Dostoevsky
"A Hero of Our Time" by M. Yu. Lermontov
"Romeo and Juliet" by W. Shakespeare

Voiced by Alexei Batalov:

1985 - Mr. Veliky Novgorod - Rebrov (the role of Dmitry Balashov)
1991 - Faithful Ruslan - text from the author
1994 - Iron Curtain - text from the author
1995 - Fatal eggs - text from the author
1995 - First love - text from the author
1997 - Little Princess - text from the author
2005 - Kukotsky's incident - voice-over text

Voice acting for cartoons by Alexei Batalov:

1974 - Mysterious Planet
1975 - Hedgehog in the fog
1975 - Elephant Dilo Senok
1983 - The Girl and the Dragon (from the animated series Tales of Donald Bisset)
1984 - Forgotten birthday (from the animated series "Tales of Donald Bisset")
1984 - Spruce
1985 - Krokokot (from the animated series "Tales of Donald Bisset")
1986 - Snowfall from the refrigerator (from the animated series "Tales of Donald Bisset")
1986 - Music Lesson (from the animated series Tales of Donald Bisset)
1986 - The Adventures of Lolo the Penguin
1987 - Vrednyuga (from the animated series "Tales of Donald Bisset")
1996 - Traveler Frog
2004 - Greedy miller (from the animated series "Mountain of Gems")
2004 - How the snake was deceived (from the animated series "Mountain of Gems")
2004 - How pan was a horse (from the animated series "Mountain of Gems")
2004 - Orphan Fox (from the animated series "Mountain of Gems")
2004 - Interpretation of dreams (from the animated series "Mountain of Gems")
2004 - Keys to Time

Documentaries Alexey Batalov:

1967 - Word about Russia (documentary) - voiceover
1967 - Your generous heart (documentary) - voiceover
1974 - Star minute (documentary) - voiceover
1979 - You are a fire man! (documentary) - narration
1999 - Russia. XX century. A Look at Power (documentary) - voice-over

For the first time, he frankly talks about his first youthful marriage with Irina Rotova and about his eldest daughter Nadezhda, with whom the actor almost failed to maintain a relationship ...

About the family of Alexei Batalov - daughter Masha and wife Gitan, with whom the actor has been married for more than half a century - is known to all fans of Alexei Vladimirovich. But in his youth he had a different family, and in that marriage there is also a daughter. In an interview with 7D, the actor honestly told for the first time how he got married at the age of 16 and why he failed to save his family.

- Alexey Vladimirovich, you got married for the first time at the age of 16.

Please tell us about it...

My first wife and I have known each other since childhood. With the family of the artist Konstantin Rotov, Ira's father, my stepfather Viktor Ardov had dachas nearby, in the writers' village on the Klyazma. Ira and I are the same age, so we had a common company: we ran together, played. I remember how I effectively appeared in front of everyone on a white horse. Irina remembered it. It all happened by accident though. The water carrier let me ride, but the horse was quite old. This was shortly before the war. All pre-war childhood seems so carefree, sunny. I remember how I once met Ira at the rink at the Dynamo stadium.

She skated expertly, which was rare at the time, and that impressed me. She was short, dark-haired, and mischievous. And then the war separated us. I was evacuated to Chistopol, and Ira was taken to Alma-Ata. We met again when, after returning from the evacuation, I went to visit my friend, Petya Petrov. Ira also looked in. We were 16 years old, although adults still considered us children. For me, it was of great importance that she was her own, proven by many years of friendship. After all, I was very timid with girls. I could not marry someone else's girl, it was difficult for me to even approach a stranger! So, most likely, it was just a youthful hobby that stemmed from my shyness. In a word, Ira and I again began to communicate, walk together. They literally walked the streets. At that time there were no cafes, and if there were, then we could not afford it.

Even food cards were not canceled, it was not uncommon that people were malnourished. No, this is not the kind of courtship that young people today imagine. And they didn’t sell flowers - they could only be picked up somewhere furtively. And I couldn't make any gifts at all! And he dressed in what the hell ... I remember I had an overcoat, soldier's boots and navy trousers. And no socks - then it was impossible to get them at all! To prevent the legs from “whitening” under black trousers, I painted them with wax.

- Why did you and Irina decide to get married? Isn't it scary to start a family in such conditions?

In those years, people did not reason like that, because everyone was in poverty. And the young still wanted to love, create families.

Marrying the girl you love was okay. But of course, if we began to ask the elders for advice, no one would allow us, schoolchildren, to get married. Therefore, after waiting until the age approached, we fled to the registry office secretly.

We went in and signed up. True, we had a ring - one for two, we bought it by borrowing money from the housekeeper Nikolai Pogodin. Such a small gold ring, on the inside we asked to engrave: "Alyosha + Ira = Love." I remember that in the registry office they told us that we were the youngest couple, but nevertheless they painted and handed over a marriage certificate. With him, we went to the parents, who did not even suspect that the "children" got married! Of course they were horrified. We haven’t finished school yet, we don’t work anywhere, we don’t have any housing, and suddenly - a husband and wife ... Two crazy people!

They did not pay attention to our friendship, they thought that we were still small. Well, they go to visit each other and go, and then suddenly these "guests" received documentary evidence. However, nothing could be done with us, and they met us halfway. There was, however, no place to take a separate room for us. Our stepfather, mother, two brothers lived on Ordynka, Anna Akhmatova often came and lived in my room. I released her for the time being. Irochka also did not have extra footage. Therefore, we somehow turned around, lived either with me or with her. Shortly after our wedding, Irin's father, the artist Konstantin Rotov, returned from the camp. The fact is that he was a very good artist, and out of envy, someone wrote a denunciation that he secretly painted some kind of portraits of Stalin. And Konstantin Pavlovich was imprisoned, he served several years. And when he returned, Irina introduced me to him in a new capacity.

And we quickly found a common language. Moreover, it was Rotov who first began to teach me how to draw! It happened by accident. Konstantin Pavlovich worked in the magazine "Crocodile", he needed nature. And so he used me: he asked me to stand in one or another position and made sketches. It turns out that I worked for him as a model. Well, since I was nearby, I began to mix the colors, to help in something else. And so, gradually, Konstantin Pavlovich began to teach me how to draw. By the way, thanks to Rotov, who at one time received an order for illustrations for Mikhalkov's Uncle Styopa, Uncle Styopa acquired my face. The father-in-law explained: “After all, Lesha, you have a foot size of forty-five. And Uncle Styopa too! So, you look alike." Now I can’t prove to anyone that I was Uncle Styopa, but it’s true!

- And how did your mother-in-law treat you?

Relations with the mother-in-law, Ekaterina Borisovna, did not work out from the very beginning. She herself was a playwright, author of several plays and books for children. At the same time, she did not like at all that I wanted to become an actor. But I didn't consider any other options. After all, I was literally born and raised in the theater. When I was very young, my mother and I lived right in the building of the Moscow Art Theater, in the former janitor's. To go out into the yard, it was enough for me to step over the windowsill. And there are decorations and people in wigs, with beards and in different costumes all around. I accepted all this as reality. They didn’t take me out into the street until I was five years old, I played only in this yard and, in all seriousness, perceived it as the whole city. It was my world, and I sincerely thought that all people in the world work in the theater!

How did we play? It's summer, the theater is on vacation, you can run around the stage. We crawled under it on our belly and got cats out from under the stage. In the building of the Moscow Art Theater in those years there was an abyss of cats. During the performance, when they wanted, they went on stage, and no one even laughed, before that it was a common thing. And so we got these cats. So there was no doubt: the theater is my home, and I should be here.

- It is not difficult to assume that when you came to the Studio School, where your relative Viktor Stanitsyn taught, there were conversations: “Well, of course, they asked for it!”

No one would bother for me. It was not accepted in those years. And if someone helped me to enter the Studio School, it was Galina Khristoforovna.

This amazing woman, a teacher, was a friend at home and began to study with me when she saw what an ignoramus I was. After all, during the war, my mother and two brothers lived God knows where. Father and stepfather went to the front, and we drove along the route Sverdlovsk - Ufa - Kazan - Bugulma. It is now Bugulma a big city, and in 1941 it was the most real village. There I, a well-bred domestic boy, saw for the first time a horse, a cow and a peasant's hut, where, in fact, we were settled. I had to work hard on the housework, and then get a job as a stage worker in a local theater. There was no time and no place to study. Therefore, when I returned to Moscow, among my comrades I felt like a half-educated person and felt ashamed of it. Often I simply skipped classes, and therefore the question arose about my expulsion. Then my parents assigned me to a school for working youth, which I somehow managed to get through.

So Galina Khristoforovna took pity on me and began to come specially to study with me. I owe her everything! well and family ties I was even shackled a little. I felt that behind me was the shadow of my uncle, including Nikolai Batalov, whose name thundered in the thirties. I couldn’t let my relatives down, it would be unacceptable if they were told: “Your Alexey is getting out there!” So at the institute I tried not to stick out and behaved very modestly. Maybe that's why at first he did not impress the teachers and did not prove himself. I had an installation in my head: “Do not exhibit! I will be like everyone else. Me - as it should be! Even when, after the graduation performance, Olga Knipper-Chekhova herself approached me and offered to sign the diploma, at first I refused. She listened to me, listened, and then nevertheless signed and said: “Take it, you fool!

Then you'll understand." So I graduated from the School-Studio. Finally, it was possible to go into a great life, to do something ... But my plans were abruptly cut short - I was completely unexpectedly drafted into the army. I thought it wouldn't affect me anymore. We studied military affairs at the institute, and now I have become a certified actor ... But then it suddenly occurs to Stalin that the war might start again. And he issues a special decree, according to which all young people of our age are called up, regardless of anything. I could very well be sent to serve somewhere in the Far East.

It was a miracle that I stayed in the capital! The Red Army Theater did not have enough conscripts for extras. These are not even actors, but soldiers who are used in performances, and I must admit that they used us a lot, in almost every performance.

And when the performance ended, we also dismantled the scenery, and at night we took turns guarding the theater. This is where I got to. But I was still happy: it was still possible to play something. In larger roles, I was busy in two performances with which we toured the garrisons.

- After the army, you became an actor at the Moscow Art Theater, but less than three years later you made a choice in favor of cinema. It was a bold move...

When I happily announced at the theater that I needed to go to the next shooting, I heard the answer: “It's impossible! If you go, you will have to be fired." To leave the theater, where relatives are around, in which I was literally born ...

It was incredibly difficult! And scary. The theater is stability, constant income, career ladder, then everyone respected and knew the artists of the Moscow Art Theater ... And in the cinema - a complete mess: today you are needed, tomorrow you are not. They show a film with your participation, and you are already sitting at home without work, and it is not known when you will be called next. So everyone was, to put it mildly, surprised. The theater administration tried to persuade me to stay, but they didn’t let me go to the shooting either. I had to choose. And I wrote a letter of resignation, which, according to the old-timers, was almost the only one in the history of the foundation of the theater. Therefore, he was then kept for a long time as a relic ... For the sake of filming, I had to leave my young wife every now and then, because there was no way to take her with me, for example, to Leningrad, where the film "Big Family" was filmed.

I think they took me there not because I showed off my talent during the auditions, but I just turned out to be “in suit” with the main characters: Boris Andreev, Sergey Lukyanov. needed younger son, similar to them - with blue eyes, snub-nosed. Fifteen people tried there, in the end Joseph Kheifits chose me. Thus began our acquaintance ...

- Why couldn't you take your wife with you to the shooting?

Because I was going to a completely foreign city, without money, and I have no one there. Do you know how I lived in Leningrad? At one time he rented a bed at the house manager - he had a room opposite Lenfilm. It was only later that Kheifits, thank God, invited me to live with him, and I slept there on a cot. At the film studio, the rate was very small, it was barely enough to feed.

So I was literally in poverty. There was not a single decent suit, he went in anything. Later, when I needed to go to the first film festival, they made me a costume on credit. I wrote a receipt that money would be deducted from my next fee.

- Did you miss your family?

Of course I missed you! In Leningrad, at first, I felt like a stranger and alone. I'm used to the fact that in Moscow everything is native, everything is familiar. Here is the theater, here is my mother, here is my stepfather-writer. Everyone knows you, everyone is ready to help. And there you are a stranger - both at Lenfilm and everywhere, no one knows you. At the same time, I understood that now my whole fate is being decided, and everything depends on how I will work in the frame. I didn't do anything else other than work.

Tried my best! Even if I was not filmed that day, I came to the set and watched the masters. I watched how they play, what they do. And then, Heifitz and I rehearsed just day and night. Shooting ends late in the evening, we get into his car, I drive. And even on the road, we still discuss some kind of role. We come home, we rehearse there until late. And in this mode I lived all the time. The same thing happened with Mark Donskoy on the set of the film "Mother". I lived in his office, that is, literally slept there. Just get up - rehearsal! He didn't let go of me. So these people, and above all Kheifits, are a hundred times more important to me than directors!

- And what about your family? After all, over time, you had a daughter, Nadia. Did you somehow participate in her upbringing?

I didn't participate in any way. Of course, I remember how Nadia was born, how I first took her in my arms. It was interesting… But for Nadia, I became just… a Sunday dad. He appeared when there were some breaks in filming. I remember Nadia was three years old. And on my next visit to Moscow, I was fiddling with the car and came up with such a device, thanks to which the car itself moves in a circle, and the steering wheel is blocked. He put his daughter behind the wheel, supposedly she is driving. He sat down beside him and called out to his mother and Irina. When they leaned out the window, they were numb: a three-year-old girl was driving! I speak honestly: I did not participate in everyday life, I did not know anything about it. And he didn't want to do it. All family life was subject to my filming schedule. Filming was the most important thing, and I did not hide it.

- Did Irina work?

While she was married to me - no. And then, as far as I remember, I got the profession of an artist-retoucher.

- Why did you break up anyway?

Gossip did a disservice here. Mother-in-law someone said that on the set in Kyiv, I started some kind of romance. And she was already sure that the actor was a frivolous profession, and believed in it ... But the main thing, probably, was that my wife lacked my attention. We started to quarrel. The collapse of the family happened gradually. Here a failure, then there ... And so it happened. As far as I remember, officially in 1961. In those days, the tradition of publishing divorce announcements in Vechernyaya Moskva was still preserved. And then one day there appeared information about Irina and me. But, in fact, we broke up much earlier, because I began to actively act in films.

Just then, the shooting of the film “The Cranes Are Flying” was going on in Moscow, and I spent day and night on the set. After our divorce, Ira then remarried. And now she is no longer in the world.

- Frankly speaking, do you consider yourself guilty before that family?

Yes. Guilty, of course, there can be no doubt! And above all, to my daughter. She was very small, she didn’t decide anything at all here ... It was the elders who fought and made decisions for her. She could neither understand nor say anything then, that's the whole point ...

- You were also very young when your parents divorced.

For me, the divorce of my parents went unnoticed. Moreover, I was lucky: Viktor Ardov became my stepfather. He took it very seriously. I was not denied either advice or pocket money. True, I was always shy about asking for money. And when he did, he always started from afar: “Vitya, such a small anniversary is planned ... We decided to go there ...” He immediately interrupted me: “Don’t fool me! How much do you need?" In general, for me, Ardov was a father in the square, a very close person! In addition, his own father did not disappear anywhere, he was right there, in Moscow, working with Stanislavsky, we all talked.

- Did you communicate with your daughter after the divorce?

Of course. My mother, Nina Antonovna, generally loved her very much. Ira, together with her daughter, often visited her in the house on Ordynka.

And I met my daughter. True, as my films came out and I became more and more recognized on the street, it became more and more difficult. Once we went to the zoo and could not walk there because of the surging crowd. Cases like this have always bothered me. And Nadia began to come to my garage, where I liked to mess with the car. I never interfered in her upbringing. But he could put on a show. Once I asked her when we were walking along Ordynka: "Will you love me when I'm old and crooked?" Nadia answered without hesitation: “Of course!” And then I pretended - I began to fall on one leg, squinted my eyes ... But this is Ordynka, everyone knew us there: neighbors, janitors. And that was the most important - that there was an audience. My daughter, of course, felt ashamed of me, she asked: “Dad, don’t!” But the main thing is that she didn't quit. So she followed me down the street.

Why don't you talk to her now? After all, in addition to the eldest daughter, you also have a granddaughter and even a great-granddaughter ...

Life has turned out that way. Still, Nadezhda grew up in a different family, and now she is on her own ... She works as a translator. Graduated from the Institute foreign languages specializing in " English language". Yes, that's not the point! I just admit: I was a shitty father to her. That's all.

- Alexey Vladimirovich, when we are talking about the years of youth, actors often regret: they should drink less, and do more business! Never heard anything like that from you...

Well, I physically couldn't drink. The fact is that even during the war I was seriously ill, something with the liver.

Then, when I got older, I tried to take alcohol several times - and then the pain came on, encircling, unbearable ... I remember when I drank a little on my birthday as a student, the next day I barely got to school. Since then, I never drank at all. That I smoked from the age of 13 is true, and I continue to smoke, there's nothing to be done about it. In general, in our student years we had very little time for pampering. You see, we, yesterday's boys, having not completed our studies, knowing nothing, came to the Studio School, and here they made people out of us! The teachers were serious, the subjects were interesting - for example, good manners were taught to us by the real Princess Volkonskaya, from the former. They showed us how to give a hand to a lady, how to get into a car - we didn’t know how to do anything.

- Why did you start smoking?

Elementary: to drown out hunger! There was such a way in the war: you smoke shag - and you don’t seem to want to eat so much. It was easy to get it, because even in the rear around - the military. My mother and I went to hospitals, performed. I helped her, I could read a poem. And he looked with horror at the crippled people: some without arms, some without legs, who had half of their face bandaged ... It was scary. But gradually the fear passed, because when we started performing, these people smiled ... They became alive, close. I understood that it was for us that they gave their lives and health. Therefore, I returned to Moscow already different, matured ... Unfortunately, it is simply impossible to convey the atmosphere of the forties and fifties, no matter how many films you make about them. It was a different time, completely different people. This will never happen again to anyone. And I was especially lucky with people.

Some kind of miracle happened to me all the time. That Anna Akhmatova was in my life, that people like Iosif Kheifits, Mikhail Romm met on my way, that Vladimir Menshov filmed me in Moscow Does Not Believe in Tears. After all, they all later entered the history of cinema. The fact that I worked with them is absolute happiness! And it is important that there are not so many films with my participation - five or six real ones. To be honest, I've given up a lot myself. All my life I tried not to change myself and to be indebted to no one. But sometimes it was very expensive to pay for it.